-
Caribou Group
Bronze • • $4,300
-
Center Fire
Bronze • 21" x 14" x 8" • $4,100
-
Cometh the North Wind
Bronze • 26" x 21" • $6,800
-
Flashing the Ivory
Bronze • 14" x 18" • $4,400
-
Forest Clown
Bronze • Ed. 12 of 30 • $3,800
-
Humbled
Bronze • 18" x 20" x 12" • $6,400
-
Makin' Rainbows #10/15
Bronze • 18 x 12.5 x 7.5 • $3,500
-
Marsh Hawk with Snake
Bronze • 12" x 8" x 8" • $1,650
-
Mary #10/25
Bronze • 22 x 22 x 13 • $3,800
-
Mon Ami
Bronze • 4" x 15" • $1,000
-
Mr. Dandy is Stepping Out #3/15
Bronze • 24 x 11 x 23 • $4,300
-
Muffin
Bronze • 10" x 8" • $1,800
-
Ole Shiras
Bronze • edit. 3/5 •
-
Outlaw sm. #17
Bronze • 24 x 24 x 21 • $3,500
-
Reclining Dall Sheep
Bronze • 19" x 12" • $3,200
-
Running Whitetail Deer
Bronze • 7" x 5" • $1,000
-
Savannah
Bronze • 24" x 16" x 11" • $6,900
-
Silent Twitch
Bronze • 40" x 90" x 22" • $35,000
-
Snowshoe
Bronze • edit. 2/21 •
-
Teenage Pride
Bronze • 14.5" x 12" x 6" • $2,450
-
The Bird Watcher
Bronze • • $7,000
-
The Fall of Mighty Mouse #3/15
Bronze • 11.5 x 10 x 31 • $5,400
-
The Last Vision #3
Bronze • 22 x 16 • $3,500
-
The Sacred Robe
Bronze • 21" x 10" x 10" • $4,800
-
Thor's Hammer
Bronze • 53 x 24.5 W x 45.5 • $18,500
-
Timber WOlfe
Bronze • 26 x 35 x 15 • $12,500
-
White Tail Scrape 6/15
Bronze • 0 • $6,700
-
Whitetail Ascension
Bronze • 19" x 62" x 13" • $12,800
-
Wings of Philadelphia
Bronze • 27" x 20" x 8" • $7,900
|
Awards
Best of Show, Reflections of Nature Exhibition, Saskatoon, Saskatchewan 1992, 1993 and 1994
Award of Excellence, Society of Animal Artists, 1994
Elliot Liskin Award, Society of Animal Artists, 1995
Artists' Choice Award, Calgary Stampede Art Salon, Calgary, Alberta 2002
Robert Lougheed Award, Prix de West,
National Cowboy Hall of Fame and Western Heritage Museum, Oklahoma City, Oklahoma 2002
Museum Permanent Collections
Thomas Gilcrease Museum, Tulsa, Oklahoma
Hiram Blauvelt Museum, Oradel, New Jersey
National Museum of Wildlife Art, Jackson, Wyoming
Royal Saskatchewan Museum, Regina, Saskatchewan
Leanin' Tree Museum, Boulder, Colorado
Memberships
Society of Animal Artists (since 1988)
National Sculpture Society (since 1989)
If you have any questions or comments,
please complete the form below.
Richard Loffler grew up on the wide-open Saskatchewan prairies in central Canada. He became a committed outdoorsman as a teenager absorbing the wonders of the natural world around him. Many zoos became a retreat for observing animals in close quarters, while the Royal Saskatchewan Museum in Regina, where he began working from 1978 to 2000, was a haven to study the beautifully prepared natural history dioramas.
"I have been given nature's theatre to access freely. I find it a necessary tool in the formation of the idea and the finished work. Working from life affords me controlled confidence. No questions go unanswered.
Nature is a tremendous foundation from which to acquire knowledge and understanding: the fundamentals are what every artist must seek to recreate truthfully and innovatively. Through evolution, each animal has carved its' own original statement within this vast scheme of rhythm and structure. Their spirit and vitality offer a perpetual platform from which to learn. The complex web that nature weaves for us cannot be understood in one artist's lifetime; it is a forever growing and changing format and one that deserves distinction.
My approach is traditional with impressionistic flavor. I endeavor to capture the character of my subjects at moments of instinctive gestures while the lyrics of design and composition are controlled to present a power and grace to each piece. To work from nature allows me simply the truth and it affords me the ability to pursue my art as a life long venture, for the subjects are endless and timeless".
Loffler is a dedicated family man and an avid outdoorsman. He juggles his time between his fieldwork, his studio work and the Montana foundry where he chases his own metals and oversees the patinas and completed works.
"We are inventors- the reasoning part of nature that enables us to analyze, interpret, and logically gain insight into the life around us. Therefore, art must be an expression of our innermost thoughts, perceptions and aspirations. It is an extension of society, the happening of our era and the progress of our time. When balanced with truth, knowledge and sensitivity, art holds the virtuous vision of the past, an account of the present and a dream for tomorrow".
|
|